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Rim Lighting

Photography TipsHave you ever tried to use rim lighting? It's a great thing to know if you haven't learned yet, and here's a short refresher if you already know. When there's a light on the far side of someone, the light leaks through right around their head illuminating their hair or hat. Sometimes the line can be so crisp that it looks as though they're being cut out. Rim light is beautiful, and it adds a ton of visual interest to a photo. The real win here is taking an extra second to try and look around your environment for some kind of rim lighting. Don't settle for the light you're given, find better light. And also plan to show up during golden hour, instead of trying to do photoshop later and add in something fake. More about rim lighting from New York Institute Of Photography: https://www.nyip.edu/photo-articles/cameras-and-gear/what-is-rim-lighting

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How Does Exposure Work? – QPT 033

How Does Exposure Work? – QPT 033

VISITING ON AN IPHONE?

Click here to subscribe to the Quick Photo Tips Podcast with one click. Each episode is around 5-7 minutes, perfect for when you're shopping for a brand new flash, driving to buy a new camera, or sitting at home cleaning your expensive lenses that you keep in their own private walk-in closet! Get it!




Don’t trust your camera to think for you.

  • It’s not that hard to figure out how your camera’s brain works! I’ll explain it to you.
  • Your camera is ALWAYS looking and aiming for a middle gray tone. Not a black, not a white, but a medium gray.
  • When it thinks in auto, it’s trying to figure out whether it needs to be turned up or down, and it aims for that average gray to make that decision.
  • Here’s the problem: if you shoot something that is mostly black, the camera is going to say “OH! It’s too dark. Turn it up” to aim for that middle gray but that’s not always the best decision because if the scene is mostly dark, you want it to show up as dark in the photo, you don’t want it turned up bright!
  • If you shoot something that’s white or mostly white, your camera will want to turn it DOWN/DARKER, because again it’s aiming for that middle gray tone and thinks it’s too bright.
  • EXPOSURE COMPENSATION is adding a bit of your own thought to the way the camera works. You’re telling the camera, do what you do automatically BUT I need you to aim a little brighter or darker. Don’t aim for that middle gray: aim higher, or aim lower.
  • Here’s an example: bride on an altar in a dark church. She’s wearing bright white in the middle of a dark scene. The camera will see MOSTLY DARK, and think it needs to make the photo BRIGHTER, but that’s WRONG because then the bride will be too bright and you’ll lose detail and information and might not be able to distinguish her features any more.
  • Here’s another example: shooting outside on a snowy day — bright bright bright, and reflecty-white everywhere. The camera sees that the shot is super bright and wants to turn it down (aiming for that gray, of course) and then you end up with a photo that is darker than it really should be.
  • Hope this helped you! If so, I’ve got a FREE COURSE for you.
  • The course is about beginner manual mode, and it’s a SHORT course as well.
  • Don’t be scared off by the word “manual” ! It’s easier than you think.
  • Don’t miss this course, it won’t be free forever: grainhappy.com/manual

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